Citrus Fortress

Posted via web from tonyrobots’s posterous

The assumption that the TV networks = “content” is untrue. The nets filter, finance, package and promote the content. they aren’t Mike Tyson, they’re Don King. Not Vincent Chase, but Ari Gold. The big play everyone in the middle of the food chain needs to fear (everyone that is except for production companies and consumers) is production companies finding alternate ways to finance and promote themselves, and establishing a direct relationship with the consumer.

Hello, Portland. I’m ready to take the next step, if you are. I’m plotting my next career move, and would love to stay here in our lovely, livable town. The only problem is that all the juicy digital media jobs for someone like me seem to be in New York, L.A., or San Francisco. This can’t possibly be true; a glance at my pdx twitter feed tells me there is no shortage of smart, energized people here doing some really exciting work. (I’ve even been lucky enough to meet some of them.) So while there may be more jobs in those other cities, there’s got to be at least one here that is a perfect fit. And one is all I need.

At the risk of being immodest, I’m a real catch. Just check out the resume below. (Plus, if you hire me, you’ll have a real-life Emmy award in the building. Yeah, it’s heavy.)

I’ve heard time and again that the Portland talent pool is rich with creatives, but lacking in executives. I’m a healthy mix of both, and I’m here for the taking. Portland, I’m counting on you; don’t make me leave. I have a feeling we can do some pretty great things together.

Tony Zito’s Resume

Or, if you prefer, here it is as a PDF.

“The two of us wrote Anti-Oedipus together. Since each of us was several, there was already quite a crowd. … We are no longer ourselves. Each will know his own. We have been aided, inspired, multiplied.”

- Gilles Deleuze & Félix Guattari, A Thousand Plateaus

Twitter has announced a new “lists” feature, which will grant the ability to users to play curator and create lists of twitter users under an arbitrary (yet presumably relevant) heading. For instance, I might create a “Social TV” list, and feature people like @kenbot, @mikeberkley, and @tomturnbull, and a “Comedy” List with folks like @danharmon, @azizansari, and @scottsimpson. (There, my #followfriday duties are covered for the week.) If you like my taste, you can then follow one of my lists, which I can manage over time, granting the benefits of my (active) oversight to all my (passive) list subscribers. (In that way it’s not unlike a managed mutual fund, but without the fees.) It’s a great move, allowing for a new class of content-creators that never have to issue a single tweet; they can simply contribute by curating. (Any system which is dependent on users generating the content is well-served by creating multiple points of entry for users to be able engage at the level they feel comfortable with — engagement is a slippery slope.) It also provides a simple yet powerful tool for users to increase the signal to noise ratio of their Twitter experience, which is critical, as anyone following more than ~200 people will tell you.

So yes, “lists” are all well and good, but they only address one half of the issue. We are all many. Whether you call them “masks” or “hats” we all have several we shuffle through each day. Not only are we interested in consuming different categories of content, but we are interested in creating content in different categories as well, thereby presenting specific facets of ourselves to the sundry social spaces we each occupy.  To that end, Twitter should implement some notion of “personae”, in recognition of this idea that each of us are (perhaps subtly) different things within different social contexts, and might like to preserve the separation of those spheres in our social media.

At the most basic level, you might want to simply differentiate between “public” and “private,” leaving the public personae open to the world and using it for more professional updates, while protecting the private update stream from unapproved followers and using for much less formal gabbing about your life. Here’s a slightly more complex scenario: You are a magazine editor, a big fan of the NY Knicks, a single father, and a conspiracy buff. For each of those spheres of interest, there is a pool of people who share your interest, and who may be interested in hearing what you have to say on those topics. In fact, people you know from real life from each of those spheres have found you and are now following you on Twitter. But what do you say? For each audience different content is appropriate; trying to be all things to all of your social contexts will lead to a watered-down compromise at best, and complete paralysis at worst.

With a “personae” system, you could create multiple personae and choose which to post under on a per-tweet basis. (Of course, you could always just choose the default of “all.”) Your followers (and list-makers who choose to include you) would actually be adding personae, rather than people, so your Knicks posts could be on a Knicks Fans list, while your posts about Area 51 appear in the conspiracy list. At the same time, your best friend, who is subscribed to all your personae (what a mensch!) sees it all.

Of course you can approximate this functionality now by creating different accounts for each persona, but that seems like a clumsy way to address an issue that affects the vast majority of users.

For any given posting, we have a certain audience in mind, yet inevitably the imagined audience is just a subset of the actual audience. Has this happened to you: Someone responds to something you’ve posted on Twitter or Facebook and you’re stunned: “Whoa, that was not intended for you at all!” Our friends/followers are a diverse group, occupying highly variable levels not only of “closeness” but also of social context, and it’s often easy to forget just how diverse. Or, conversely, have you ever not posted something because it would seem unprofessional, or not funny enough, or would in whatever way undermine the expectations & perceptions of what you consider your ‘primary’ audience? A “personae” system would address both of these issues, freeing up users to express each of their personae as fully and strongly as they see fit, simultaneously honing multiple personal “brands” as it were,  without having to worry about the dilution of the value of their stream for their followers who are only interested in one or another aspect, and summarily improve the quality of content for everyone.

If it’s optimized for a search engine, it’s *not* being optimized for me. I want my content to be HIO – human intelligence optimized.

I first read Infinite Jest in the Summer of 2001. Or maybe it was 2002. It’s odd to me that I don’t immediately know the answer to that, since there was a terrible event between those two summers, one which I would think would color my reading. I do remember it was all mixed up in swooniness and crushing and a general lunacy. And I loved it so, so much. It was explosively glossophilic, unhinged and brilliant and gut-wrenchingly sad. So smart, but not cold like a William Vollmann smartness; DFW’s was more of a full-bodied brilliance — this was an unabashedly brainy book, sure, but it engaged you corporeally, grabbed your throat and poked your kidney and punched your dick and squeezed your heart. (It’s more pleasurable than it sounds.) It was a book that made you want to throw it, and throw it you did at least once, probably several times.

I’ve been meaning to read it again for ages, and now I’ve an excuse. Apparently some jokers have declared this “Infinite Summer,” and have put out a call for people to read (or reread) Infinite Jest from June 21 to September 22. That’s just 75 pages a week. (Well, 81 if you start today.) Do it; it’ll give us one more thing to talk about.

Infinite Summer

Inspired by Jen Corace’s facebook status update:

“Jen Corace is watching battle of the planets, g force…they’re fearless orphans people!”

I present a song I made 15 years ago, based on a recording of my dad and I playing battle of the planets 31 years ago. I’m old.

Here is “you’ll see little birdies.“  There are about 15 seconds of silence in the beginning, don’t give up please.

Am loving this analog pixel art using crayons by Christian Faur. What I first read as an approximation of digital glitching/artifacting, in the form of patterns of off-color pixels thrown in throughout, turns out to be a steganographic cipher, hiding messages within the images. Each image has a letter/color mapping key at the bottom left.

I also want to see them from the side; something about the additional dimensionality is intriguing to me. One could even imagine making crayon voxels, with different crayons worn down to different heights to make further use of the z-axis…

Christian Faur, Crayon Series 1

A few days ago, it was rumored that Twitter would begin charging brands for commercial use. This was soon denied, and rightly so — it makes no sense, as it’s just impossible to adequately delineate. There’s been talk of charging for “brand verification” as well, to ensure, say, that the person who claims to be the Dalai Lama really is the Dalai Lama, for instance. That makes some sense, but what’s the value to the brand? Do they really want a gold star next to their name announcing themselves as having paid to be at the table? I could see such a marker becoming a negative thing, announcing a) that you’re dumb enough to pay for what everyone else is doing for free, and b) tarnishing your realness/credibility. I don’t think that’s the way to go.

Twitter must not change the basic interaction model they’ve established. No micropayments, no barriers to accumulating large followings, no premium tweets, no subscriptions. And no ads, not yet. (Though I don’t think that one would be a deal-breaker for consumers, ultimately.) It’s a delicate ecosystem, and the number one priority should be its continued growth. That said, there are a few moves Twitter could make that respect this ecosystem, put no barriers in its growth path, and allow it to start generating revenue now:

1. Be Twitter experts: Provide professional/marketing services (including advanced stats and analytics)

Companies are falling over themselves to get onto Twitter, and have NO IDEA where to start. I’m sure Kevin Thau is deluged with requests from Fortune 500 companies who just want to chat, try to figure out how they could “work together.” It’s time to start converting this heat into dollars. Twitter should start an ancillary professional services agency, to which all these requests could get diverted. Want to use Twitter for marketing? Hire Twitter to help you. Sure there are hundreds of “social media experts” out there who would happily take your money, but the EVP of Digital Marketing at Warner Brothers doesn’t have time to sort out the true talents from the sea of hucksters — she wants to go straight to the source, and feel confident that she is working with the foremost Twitter experts in the world: Twitter itself. Plus, only they have direct access to the database — a potential goldmine of brand perception and campaign performance information. I’ve said it before, and I’ll say it again: Twitter is the nearest thing to clairvoyance a marketer could have. The insights are raw, real-time, and nearly unmediated. That’s the stuff, and only Twitter’s got it. Now they need to start charging for it.

(Since I drafted this, Kevin Thau has announced that they are indeed pursuing this sort of approach. Excellent!)

2. Open up the vault: Provide access to historical data

Yes, Twitter is the closest thing we have to mind reading, and every single one of those thoughts is being saved, forever. Think about that for a second. As Twitter usage approaches ubiquity (still a long way off, but with 900% growth this year there’s no denying they’re moving in the right direction), their database starts to look like the most remarkable historical and anthropological asset even known to man. Imagine Twitter had existed on September 11, 2001. During the Cuban Missile Crisis. During the U.S. Civil War. Perhaps Historical Tweets was onto something? This is a resource that becomes more valuable each day that passes.

Currently, the search API only allows you to access records up to four months old, and by default prioritizes the newest records. Historical searches are impossible. One can imagine a model whereby Twitter charges for access to this historical archive, ala Lexis/Nexis. Libraries and Universities across the country would be paid subscribers, and this sort of service could demand a healthy premium.

3. Make the secondary market work for you: charge for premium API access

Twitter should not lose sight of the fact that it is not only a consumer-facing service, it is a very powerful open messaging layer and application platform. There is a whole secondary market emerging of clients and web apps built on top of Twitter and the Twitter API. Currently, a developer can request to be “whitelisted,” which raises the API request limit to 20,000 per hour. That’s pretty high — apparently all but the “largest consumers of [the] API” fit under that cap. But Twitter-based apps are still a nascent industry — as Twitter grows, the tide rises, and even the small apps will grow with it. Moreover, if this secondary market is really going to take off, entrepreneurs can’t be worried about their hit applications bumping into that ceiling. Hence, Twitter can keep the 20,000 cap for non-paying clients (remember one of the key philosophies here is to not take anything away that people are already getting — though it could be argued that the 20,000 cap, which was only instituted a couple of weeks ago, represents just such a revocation), and charge for added API requests, much how a CDN might charge per video stream. This way, instead of Twitter suffering as secondary apps achieve scale, and feeling the need to artifically limit them in order to cap that suffering, a mutually beneficial relationship is established: the more successful the secondary market is, the more successful Twitter becomes. Monetize the platform, not just the service.

The Twitter guys are all really smart. I’ve no doubt they’ve already thought of all of these things, and are either working on them, or have come up with good reasons why they shouldn’t. I’ve just been seeing so many really moronic Twitter business model posts (no, I won’t link to any; that would be ungentlemanly) that I felt the need to put in my 2c and hopefully raise the level of discourse. As always, I’d love to hear your thoughts.

He was a musician I was somewhat fascinated with in the 90s, and I just discovered today that he’s keeping a daily blog that’s pretty damn great. In today’s post he drops some wisdom about the cyclicity of cultural aesthetics. Nothing terribly groundbreaking, but I do love the phrase “the anxious echo.” Definitely worth a read.

He’s also prescient, having anticipated the current twitter reputation economy of information promiscuity in his 1997 song, “Age of Information“:

Ladies and gentlemen, we are now entering
The age of information
It’s perfectly safe
If we all take a few basic precautions
May I make some observations?

Axiom 1 for the world we’ve begun:

Your reputation used to depend on
What you concealed
Now it depends on what you reveal

…

Somebody is prying through your files, probably
Somebody’s hand is in your tin of Netscape magic cookies
But relax: if you’re an interesting person
Morally good in your acts
You have nothing to fear from facts